A Woman's View From the Top: Hittite and Mycenaean Queens (guest post by Judith Starkston)

Trojan Women: Women’s Roles in Ancient Anatolia and Mycenaean Greece Part II

You may wish to read  the introduction of this series Trojan Women: Women's Roles in Ancient Anatolia and Mycenaean Greece or Part I What Hittite and Mycenaean Women "Did"

Queen Helen and Paris, oil painting by Guido Remi, 1631 (photo copyright Zenodot Verlagsgesellschaft mbH Wikimedia Commons)

 One way to see how a society views women is to examine its leaders. Are women included and, if they are, to what extent? Both the Hittite and Mycenaean world had powerful queens. I’ll look in particular at Queen Puduhepa and Queen Helen of Sparta (both c. 1250 BC).

Hittite king and queen making an offering to the Stormgod, from a stone relief at
Alacahöyük (photo by Dick Osseman)

 Hittite queens definitely wielded power in the court. When a Hittite king died, a Hittite queen continued as Tawananna, Great Queen and high priestess of the Hittite realm, which indicates an independent status. The queen was not, however, the primary ruler. Even while she continued as queen, her son or some other male relation took over as king. In an interesting sidelight, this meant that the new king’s wife did not take over as queen until her mother-in-law died. As you can imagine, this did make for some very strained relationships—the echoes of which we hear even through the ancient clay tablets of formal court business (Collins, 101).

Puduhepa is the Hittite queen we know the most about since she corresponded with Ramesses II, the Pharoah of Egypt, and she made religious declarations, treaties, and judicial decisions which were recorded by scribes. Puduhepa was the wife of Hattusili III. Before her marriage she was a priestess, “a handmaiden of Ishtar.” She was said to be very beautiful, and Hattusili tells us he married her following a vision he had in a dream. Many years into their marriage, Hattusili wrote that the goddess Ishtar blessed them with “the love of husband and wife” (Hughes, 188). Hattusili was frequently sick, and he depended on his strong-willed, highly intelligent wife to help him run the vast Hittite empire (Bryce, 13). He shows every sign of trusting her completely. We do not know if other queens, with less commanding personalities, had quite as much lee-way. Probably not, but they had great independence nonetheless.

The "Queen of the Night" Relief.  The figure could be the goddess Ishtar, Mesopotamian goddess of sexual love and war.  Her bird-feet and accompanying owls have suggested to some a connection with Lilitu (called Lilith in the Bible).  Old Babylonian, 1800-1750 BC.  From southern Iraq.  British Museum, London.  (Photo copyright David Eferro, Wikimedia Commons)

 

Stamp seal and a sample of the impression it makes in clay as a signature.  From the Louvre, probably Egyptian.  (Photo copyright Rama, Wikimedia Commons)

Hittite queens regularly shared seals with their husbands, giving them the right to “sign” official documents and independently conduct the business of the realm. Puduhepa had her own seal. In fact, the stamp seal of Queen Puduhepa can be seen today in the Corum Museum, Turkey (although that museum does not permit photography, so you really have to go to northeastern Turkey to see it. Go figure.). Much as Puduhepa stands out as a distinctive woman, however, she could not have been treated with respect by the Egyptian pharoah and exercised broad political power unless queens generally could do many of the same things she did. Her reign is a window into what a woman at the top could do in the Hittite Empire.

Puduhepa carried on diplomatic correspondence with Egypt on equal terms with the pharoah. She co-signed with her husband the copy of the Egyptian-Hittite treaty that was sent to Egypt (Collins, 100).

The earliest known international treaty, the Qadesh treaty between the Hittites and Egypt, Hattusili III and Ramesses I, co-signed by Queen Puduhepa (Photo copyright Giovanni Dall'Orto, Wikimedia Commons)

Pharoah Ramesses II fighting from his chariot at the Battle of Qadesh (Wikimedia Commons)

During negotiations with Ramesses II regarding her daughter’s marriage to the pharaoh, she received exact duplicates of the letters he sent to her husband. At one point when she had to delay sending her daughter to him because she found herself short on the needed dowry funds due to a fire in her treasury house, she sent a down-right cranky letter to Ramesses pointing out that he hardly needed the money and should not rush her. Her willingness to call to account Ramesses, clearly one of the most powerful leaders of the world at that point, speaks of her confidence in her position. Here’s an excerpt from her letter:

“Does my brother [i.e. Ramesses] possess nothing at all? Only if the son of the Sun-God, the son of the Storm-God, and the sea have nothing do you have nothing! Yet, my brother, you seek to enrich yourself at my expense. That is worthy neither of your reputation, nor your status.” (Hughes, 189) 

 Puduhepa adjudicated many challenging legal cases in the place of her husband; one, for example, regarded the ownership of sunken treasure once a ship had been attacked (Hughes, 189). She also ordered a complete reorganization of the Hittite state religion. It’s true that the Hittite pantheon was a mess with thousands of gods, many borrowed from wherever the Hittites happened to have conquered, and lots of “duplicate” gods (note 12 nearly identical ones in the photo below!), but you can imagine how much authority and power a pope would have to have in order to bump a few saints, rename a few others, combine this version of Mary with that one and reject another all together—you get the idea. She was both deeply devout and immensely influential.  

Procession of 12 Hittite Warrior gods.  Rock relief at Yazilikaya.  (Photo copyright China Crisis, Wikimedia Commons)

I think we can conclude that Hittite queens had significant power in their own right.
 On the Mycenaean side, the picture comes to us from radically different sources. Instead of treaties and other official court documents, we have myth and legend, passed on orally through generations until finally written down in epics, plays, and other literature. About Queen Helen of Sparta, we can’t even assert with absolute certainty that she was a real historical character. But for what it’s worth, and I think that’s actually worth a great deal, myth and legend paint a picture of powerful Mycenaean queens also. 

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The person who has made the strongest case for a powerful Bronze Age Helen and her sister Mycenaean queens is Bettany Hughes in her book Helen of Troy and in her PBS documentary on the same topic.  I’ll quote her argument from her book:

“Time and again in literature and myth-stories [of the Mycenaean period] we hear that women are the kingmakers, that the right to monarchy does not pass from husband to son, but from mother to daughter. Men have to win a crown by winning a wife [in athletic/military contests held by the king for his daughter’s hand].  

Helen’s half-sister Clytemnestra makes her lover, Aigisthos, king while her husband Agamemnon is overseas, fighting the Trojan War; Pelops (who gave his name to the Peloponnese) becomes King of Elis through his marriage to Hippodamia; Oedipus is crowned the King of Thebes when he marries Queen Jocasta. Even faithful Penelope, left at home by Odysseus, seems to have the prerogative to choose who will be her next king. And, of course, Menelaus becomes King of Sparta when he marries Helen.  

Tradition tells us that along with his daughters Helen and Clytemnestra, Tyndareus had two sons—Castor and Pollux. And yet there is no suggestion that either of them will inherit their father’s title when he dies. It is Helen who will become queen and it is only marriage to Helen that will bring regal status and sovereignty over the Spartan territory. We hear from Pausanias, amplifying Homer, that it is not one of Menelaus’ sons, not even his ‘favorite son’, who becomes king of Sparta. Instead it is the children of Helen’s daughter Hermione who succeed to the throne” (Hughes, 78-79). 

Queen Clytemnestra after the murder of Clytemnestra.  Oil painting by John Collier, 1882.  (Wikimedia Commons)

 To sum up Bettany Hughes’s case, rule of Mycenaean kingdoms passed through the women, and the rule was held in their name and through their authority. No wonder Menelaus ran after Helen when Paris took her off to Troy. She was his meal-ticket to power. Without her, he had no formal justification for rule. Hughes shows that this pattern is reflected throughout the mythological record of Mycenaean courts. Another piece in Hughes’s argument for a powerful Helen rests in the treasure she and Paris are said to steal when they run off to Troy. On the eight occasions in Homer when this treasure is mentioned, it is ascribed to Helen not Menelaus. “We hear in Troy that Paris begins to ‘fight Menelaus for Helen’s treasure’. If wealth was the honey-pot which attracted suitors like Menelaus, women like Helen appear to have owned and enjoyed the honey” (Hughes, 80).

Menelaus intends to strike Helen; struck by her beauty, he drops his swords.  A flying Eros and Aphrodite (on the left) watch the scene.  Detail of an Attic red-figure crater, ca. 450-440 BC, found in Gnathia (now Egnazia, Italy).  (Photo copyright Jastrow, Wikimedia Commons)

Bust of Homer, Roman copy of Greek sculpture.  Museo Nazionale in Napoli (Photo copyright Giacomo Brogi, Wikimedia Commons)

It would be more persuasive if the Linear B tablets included the kinds of court documents that we find in the Hittite capital of Hattusa, but they don’t. In the Iliad the kings who have led their warriors to Troy do not seem to need their queens to conduct business, but war until the twenty-first century AD was a decidedly male dominated activity, and perhaps the queens are back home ruling the home front with absolute power of their own. Penelope and Clytemnestra seem to indicate that is the case. It is also true that as the Bronze Age shifts into the Iron Age—that is the age during which Homer actually sang/composed the Iliad—with massive upheavals of peoples throughout the Mediterranean, women lose the power they had. We see this evidence in everything from drinking rituals that shift from centering on women to excluding them (Steel) to loss of property rights. Perhaps Homer is reflecting his Iron Age reality in this case, rather than the earlier period he professes to portray. That is always a sticky issue when trying to use Homer as history—just which historical period might Homer be depicting.

However, I think it’s awfully tricky to explain away all those legends of heroes moving into town to compete for the king’s daughter and ending up king when they win. And then having to leave the kingdom to their daughters. Seems pretty fishy behavior for an entirely patrilineal society. But it isn’t the sort of academic history that scholars find so reassuring for good reasons. Fortunately this isn’t a graduate thesis and we don’t have to decide one way or the other. It’s a pleasure to ponder the possibilities from ancient pages.

 Bibliography for this article:  (Click on book covers to browse or purchase this book at Amazon)


Bryce, Trevor. Life and Society in the Hittite World. Oxford: Oxford University Press, 2002.



Collins, Billie Jean. The Hittites and Their World. Atlanta: Society of Biblical Literature, 2007.

Hughes, Bettany. Helen of Troy. New York: Knopf, 2005.

Steel, Louise. “Wine, Women and Song: Drinking Ritual in Cyprus” in Engendering Aphrodite: Women and Society in Ancient Cyprus, edited by Diane Bolger and Nancy Serwint. Boston: American Schools of Oriental Research Archaeological Reports, 2002.

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I'm delighted to welcome Judith back to this blog.  Judith, you will recall, is a novelist and book reviewer who sets her historical fiction and mysteries in the period of the Trojan War and the Hittite Empire.  She blogs on these and other topics, as well as reviewing books, here.  She can also be found on Twitter and on Facebook.  Thank you, Judith, for this fascinating history. Readers, you'll be glad to know that there will be more - the next installment will be up on Wednesday. 

Judith Starkston